Our segmentation demonstrates how the same event can land very differently depending on who you are. For some, a royal wedding is a stirring symbol of British tradition; for others, it’s a reminder of institutions that feel out of touch. A street party might feel joyful and inclusive to one person – and exclusive or unfamiliar to another.
Understanding this variation is critical to understanding the different features of events that maximise national pride.
Of all event types tested, sporting events like the FA Cup Final, Commonwealth Games or the Euros had the broadest appeal. They are one of the few categories that cut across generational, cultural and political lines – with most segments finding something to enjoy. But while the headline levels of engagement are high, the reasons for participation vary significantly between groups.
Proud Participants are the most actively engaged.
Nostalgic Nationalists also express strong support.
Cultural Centrists are also broadly supportive, though for different reasons.
Sideline Sceptics are somewhat more positive about sport than other event types.
Of all event types tested, sporting events like the FA Cup Final, Commonwealth Games or the Euros had the broadest appeal. They are one of the few categories that cut across generational, cultural and political lines – with most segments finding something to enjoy. But while the headline levels of engagement are high, the reasons for participation vary significantly between groups.
“When Jude Bellingham got us into the quarter final, I just remember the absolute joy and unity in that one moment, even people that don’t care about football – never cared about football. We were just so happy and elated when that happened. I don’t think I felt more proud of England and more proud to be British than ever at that moment.”
“When Andy Murray won Wimbledon twice I think we were all very proud of him as a British people and that was definitely a very proud sporting moment, I think sporting events create a very uplifting sense of pride, they are real British moments.”
Royal and ceremonial events like the Coronation or Jubilee are seen by some as powerful expressions of national identity – and by others as exclusive, outdated or simply irrelevant. These moments are among the most polarising in our research. Attitudes vary sharply across segments, shaped by different values around tradition, belonging and how Britain should present itself.
Nostalgic Nationalists are enthusiastic for these events, in a reflective and tradition-focused way.
Proud Participants are similarly enthusiastic, but are more keen to take part in the proceedings.
Cultural Centrists are more ambivalent.
Sideline Sceptics are actively disengaged.
Royal events still connect with a large part of the population, especially those who value tradition, heritage and shared national moments. But they are far from universal. The existence of the monarchy is a polarising topic in British life, and as such, it engenders very different reactions across the population. While some view royal occasions as celebrations of our history, that can bring people together (59%) others see them inaccessible (30%).
“The royal weddings, [make me proud to live in the UK]. So you see people coming together for street parties and also waving flags or just celebrating the moment. And that gives a sense of tradition and continuity.”
“Things like funerals, Royal Family, they do nothing for me […] other people maybe get something from flag waving, funerals, weddings. I’m sorry it does nothing for me.”
As part of our poll, we asked participants to watch a 30-second video of highlights from the 2012 Olympics’ Super Saturday. This video framed national pride through the lens of success and excellence – Viewers saw Team GB athletes in moments of triumph: medals, celebrations, and crowds waving Union Jacks.
of UK adults said that events like this make them feel proud to live in the UK.
This frame triggered widespread pride Nostalgic Nationalists, Proud Participants and Cultural Centrists.
of Nostalgic Nationalists
of Proud Participants.
of Cultural Centrists.
of Sideline Sceptics.
The video also evoked a sense of excitement and joy from respondents. Feedback featured frequent mentions of “proud,” “athletes,” “Olympics,” “British,” “excited,” and “memories,” revealing a collective emotional resonance with sporting excellence, national representation, and moments of success.
“You could actually feel the pride, when Jessica Ennis and Mo Farrah and others actually won the gold. So it wasn’t just about sports, it felt more like a celebration of National spirits and also diversity and excellence.”
“It brings me goosebumps and amazing memories as I was a volunteer at the Olympics and it was the best 2 months, it brings me so much pride.“
“You see sunshine coming out of their faces, don’t you? Jessica Ennis and Mo Farah, the glow of success was upon them, and the love of the nation was there too.”
Commemorative events, such as Remembrance Sunday, D-Day anniversaries or Trooping the Colour, are deeply meaningful for some, evoking pride and reflection. But for others, they lack relevance or feel disconnected from contemporary life. Responses to these events mirror those towards royal occasions though are not identical.
Nostalgic Nationalists are the strongest supporters of these events.
Proud Participants also express strong support.
Cultural Centrists are more mixed.
Sideline Sceptics remain largely disengaged.
Commemorative and military events still carry emotional significance, particularly for those who value continuity, duty and shared sacrifice. But these events can feel distant, both to younger generations and to those for whom national pride comes less naturally.
“I think the symbolism of the actual Poppy is what people are proud about and what that stands for. And so whilst, yes, it’s a sombre occasion, you’ll see people wearing the poppy a lot earlier than that because of what it represents about us as a country.”
“I thought with the 80th Anniversary of Victory in Europe, we could finally say goodbye to this obsession with wartime. I want us to move on into the modern world and stop looking backwards to find our British values.”
In our poll, we asked participants to watch a 30-second video of a national remembrance ceremony – a solemn, symbolic portrayal of Armistice Day. The clip focused on ritual and ceremony: wreath-laying, moments of silence, and visual markers of national heritage like poppies and memorials.
of UK adults said that events like this make them feel proud to live in the UK.
This framing evoked the most pride from Proud Participants and Nostalgic Nationalists:
of Nostalgic Nationalists
of Proud Participants.
of Cultural Centrists.
of Sideline Sceptics.
This pride was often accompanied by feelings of sadness and gratitude, when asked how they felt after watching the clip, respondents consistently used words like “emotional,” “respect,” “remember,” and “sacrifice.”
“Proud and very thankful to live where I do when I do. Admiration of members of the Royal Family who give their lives to the service of the country and thankful for the service personnel who gave their lives.“
“I felt very emotional and proud seeing this. Keeping up with traditions like Armed Forces Memories celebrations is very important for everyone in our community and abroad. It highlights our intentions of preserving these kinds of celebrations for our full generations. It shows as well our respect for anyone who was involved in defending our country, especially those who have died doing it.”
“There are wars that maybe we should never have fought, but they have been fought, and people have actually died for the cause, and I’m proud of them, but it is a different kind of pride than, you know, Jessica Ennis doing really well or Mo Farrah picking up gold.”
Cultural festivals – including Glastonbury, the Edinburgh Festival Fringe or the UK City of Culture – appeal to those who see British identity as evolving, diverse and creative. They’re among the most positively viewed event types by segments that are younger, and more engaged events when they can attend in person. But their reach is not universal, and the place-based nature of these events often means they are less accessible to the wider public.
Cultural Centrists are the core audience for cultural festivals.
Proud Participants are also generally positive.
Nostalgic Nationalists are far less enthusiastic.
Sideline Sceptics show little connection to cultural festivals.
Cultural festivals are powerful tools for connecting with those who already feel culturally engaged – especially younger, urban and more diverse audiences. However, not all audiences feel as connected to them.
“The comedy scene in the UK is pretty unrivaled. In comparison to a lot of other countries, there are lots of tours that go on the UK and lots of famous names that love to come perform, I’ve been and seen a bunch of comedians that have come to my city and it’s something that’s really nice to see that, you know, people coming here to perform.”
“I find [the Edinburgh Fringe] weird, its not to my taste. I don’t think you can expect everyone to love everything about each other’s culture. It’s just not for me.”
“Concert and things like that, when big stars that have come to the UK to perform, and everyone gets together. And again, you don’t have to worry about how much money’s in your bank or anything. Everyone’s showing an interest in the same thing. Seeing thousands of people there together – its just a proud moment when you’re standing there.”
As part of our poll, we asked participants to watch a 30-second video which framed national pride through the collective spirit of cultural participation – showing scenes from the Edinburgh Fringe Festival. It featured street performers, families in open-air crowds, and informal interviews, highlighting grassroots energy, creative expression, and shared experience.
of UK adults said that events like this make them feel proud to live in the UK.
This frame proved more popular with Proud Participants and Cultural Centrists.
of Nostalgic Nationalists
of Proud Participants.
of Cultural Centrists.
of Sideline Sceptics.
The emotional tone this frame evoked was more light-hearted and personal.It helped people feel positively connected – especially those who see modern British identity as diverse and evolving. Responses reflected this lighter, more festive tone, with commonly used words including “happy,” “fun,” “exciting,” “together,” “inclusive,” and “interested.”
“I felt the event was a space where people expressed themselves and pushed boundaries and also connected across differences. I love it when people are being creative and having that creative freedom. So it’s something I am proud of, and I think Britain does it really well.”
“It does make me feel proud to be Scottish. […] it’s in some ways it’s not even events, it’s atmosphere. It’s a brilliant atmosphere to be amongst people. I’ve been to some shows there before that I never thought I’ld like but the atmosphere has been great.”
“[It makes me feel] Proud, Arts and theatre is definitely one of the strongest parts of national identity and heritage.”
In 2017, Hull stepped onto the world stage as UK City of Culture. Spirit of 2012 played a crucial role in supporting this year-long celebration, which delivered over 2,800 events, cultural activities, exhibitions and installations across twelve months. The scale was unprecedented for Hull, with more than 90% of residents engaging with at least one cultural activity during the year.
The sheer breadth of programming – from the Land of Green Ginger project celebrating local stories to the No Limits education programme involving 56,000 school children – created multiple entry points for residents to connect with their community and discover new creative interests. Over 2,400 volunteers contributed 337,000 hours across 84,000 shifts, with 92% of Hull residents agreeing that volunteers provided a positive representation of their city.
The impact on local pride was profound and measurable. Three in four residents reported that the year changed their perception of Hull for the better, while two-thirds felt their knowledge of the city’s history and heritage had increased. Perhaps most significantly, there was a 9% increase in cultural confidence among residents, with over half discovering new art forms and 95% saying the experience encouraged them to attend similar events in the future.1